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Portrait of a Married Woman

A Novel

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A dissatisfied wife is tempted by another man in this novel by the New York Times–bestselling author of Out of the Blue: “A wonderful writer” (Luanne Rice, author of The Secret Language of Sisters).
 
After seventeen years of marriage, Maggie Hollander seems like she has it all. Her husband, Matthew, still loves her deeply, and two irrepressible children complete the picture-perfect family in their elegant New York apartment.
 
But at thirty-eight, Maggie has questions about herself that grow deeper and more disturbing. Once a promising artist, she decides to return to art class in search of answers. It is there she meets a sculptor who rekindles her talent—and her passion. David Golden will expose Maggie to a tenderness that is as liberating as it is dangerous, and will carry her toward an unforeseen choice . . .
 
“A living, breathing portrait of a truly contemporary woman . . . A lovely read.” —Barbara Taylor Bradford, New York Times–bestselling author of Voice of the Heart

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    • Publisher's Weekly

      March 4, 1986
      The author of Change of Heart has again produced a contemporary romance, this one focused on an extramarital love affair. On the verge of her 38th birthday, Maggie Hollander is vaguely unhappy. Married to her college sweetheart, ex-Harvard athletic champ and dreamboat Matthew (they met when Maggie was at Radcliffe, naturally), Maggie has two bright teenagers, a lovely Manhattan apartment and a bridge group. So why isn't she happy? For one thing, she has put aside her painting in favor of full-time wife- and motherhood. She fears her talent has gonebut surprise!it's still there waiting to be used, and at her very first art class she meets this sexy, soulful sculptor, David Golden, he of the "uncivilized'' blue eyes and urgent sexual need. Readers soon realize that two weighty matters are at stake here: How will Maggie be able to reconcile a career with the demands of her family life? How will she make a decision between husband and lover? Mandel often sweeps into purple prose (she writes of Maggie: ``her sensuality, her intelligence, her warmth''; of David: ``his creativity, his intellect, his sexuality''), but in the main the story is competently told.

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