When Fumiko emerges after one month of being locked in her dorm room, she's already dead, leaving behind a half-smoked Marlboro Light and a cupboard of petrified food. For her boyfriend, Henrik Blatand, an aspiring translator, these remnants are clues, propelling him forward in a search for meaning. Meanwhile, Fumiko, or perhaps her doppelgänger, reappears—in line at the Louvre, on street corners and subway platforms, and on the dissection table of a group of medical students. Henrik's inquiry expands beyond Fumiko's seclusion and death, across the absurd, entropic streets of Paris and the figures who wander them, from a jaded group of Korean expats, to an eccentric French widow, to the indelible woman whom Henrik finds sitting in his seat on a train. It drives him into the shadowy corners of his past, where his adoptive Danish parents raised him in a house without mirrors. And it mounts to a charged intimacy shared with his best friend's precocious daughter, who may be haunted herself. David Hoon Kim's debut is a transgressive, darkly comic novel about becoming lost and found in translation. With each successive, echoic chapter, Paris Is a Party, Paris Is a Ghost plunges us more deeply beneath the surface of things, to the displacement, exile, grief, and desire that hide in plain sight.
When Fumiko emerges after one month of being locked in her dorm room, she's already dead, leaving behind a half-smoked Marlboro Light and a cupboard of petrified food. For her boyfriend, Henrik Blatand, an aspiring translator, these remnants are clues, propelling him forward in a search for meaning. Meanwhile, Fumiko, or perhaps her doppelgänger, reappears—in line at the Louvre, on street corners and subway platforms, and on the dissection table of a group of medical students. Henrik's inquiry expands beyond Fumiko's seclusion and death, across the absurd, entropic streets of Paris and the figures who wander them, from a jaded group of Korean expats, to an eccentric French widow, to the indelible woman whom Henrik finds sitting in his seat on a train. It drives him into the shadowy corners of his past, where his adoptive Danish parents raised him in a house without mirrors. And it mounts to a charged intimacy shared with his best friend's precocious daughter, who may be haunted herself. David Hoon Kim's debut is a transgressive, darkly comic novel about becoming lost and found in translation. With each successive, echoic chapter, Paris Is a Party, Paris Is a Ghost plunges us more deeply beneath the surface of things, to the displacement, exile, grief, and desire that hide in plain sight.
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