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August 14, 2023
In this studious history, film critic Singer (Marvel’s Spider-Man) examines the ingenuity and influence of Gene Siskel and Roger Ebert’s TV show At the Movies and its various iterations. Crediting the duo with originating the adversarial debate format that saturates modern cable news, Singer argues that Siskel and Ebert democratized film criticism by turning “an art form that had previously only existed as a series of monologues into an ongoing dialogue.” The author profiles both critics, presenting Ebert as precocious and a superior writer (he started his own neighborhood newspaper while in grade school) and Siskel as ambitious and competitive (he insisted that his name appear first in the title of their 1982 syndicated show, At the Movies with Gene Siskel and Roger Ebert). Anecdotes illuminate the pair’s at times contentious behind-the-scenes dynamic (one volatile exchange ended with Ebert vomiting on set and Siskel quipping, “You really didn’t like that one, did you, Roger?”), and interviews with colleagues and loved ones offer insight into the critics’ psychologies (Siskel & Ebert executive producer Stuart Cleland shares his belief that the death of Siskel’s parents before he was 10 left him “guarded and wary”). This deserves two thumbs up.
Starred review from January 1, 2024
For the first six years of their professional rivalry, Chicago Sun-Times film critic Roger Ebert (1942-2013) and Chicago Tribune film critic Gene Siskel (1946-99) avoided talking to each other, maintaining their distance as each worked on his celebrated column. Then, in 1975, PBS station WTTW invited both to do a pilot for a half-hour film-review show titled Opening Soon...at a Theater Near You. Over the next 24 years, the show (retitled Siskel & Ebert) became a pop culture cornerstone for film criticism. Film critic Singer (Marvel's Spider-Man) gamely narrates the rise and sudden end of Siskel and Ebert's program and their partnership and excitedly recounts behind-the-scenes spats, as told by former staff. Singer also playfully relates the many times Ebert and Siskel disagreed on movie reviews and adds dry humor to Siskel's rebuttals. What began as a story about two diametrically opposed foes becomes an account of two film critics, neither of whom liked the other's reviews, but respected each other as people. VERDICT A must-listen for all nonfiction collections. Singer's reverence for Ebert and Siskel is heard throughout.--Anjelica Rufus-Barnes
Copyright 2024 Library Journal, LLC Used with permission.
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