Launched in 1997 by Rodrigo Gudiño, RUE MORGUE is the world’s leading horror in culture and entertainment brand, spearheaded by its multiple award-winning magazine, RUE MORGUE and RUE MORGUE DIGITAL; RUE MORGUE TV specialty horror channel; RUE MORGUE LIBRARY book series; RUE MORGUE PRESENTS FRIGHTMARE IN THE FALLS horror expo and RUE MORGUE PRESENTS CINEMACABRE MOVIE NIGHTS monthly film series.
NOTE FROM UNDERGROUND
RUE MORGUE
POST-MORTEM • COMMENTS • QUESTIONS • CRITICISM
THE CORONER’S REPORT
WADE DAVIS VS THE ZOMBIES
WHATEVER HAPPENED TO… • Sandra Peabody, Mari from The Last House on the Left (1972)
NEEDFUL THINGS
CRYPTIC COLLECTIBLES
VINTAGE AND CLASSIC
ROTTEN EGG • THIS SPRING, FINLAND-BASED HORROR FILMMAKERS HANNA BERGHOLM AND ILJA RAUTSI RELEASE HATCHING, THEIR FEATURE-LENGTH EXPLORATION INTO THE BOND BETWEEN MOTHER AND CHILD… AND THE RESULTS ARE TRAUMATIC
A FINNISH FANTASY
HELSINKI HORROR PUNK • HATCHING SCREENWRITER ILJA RAUTSI PROVES HE IS NO STRANGER TO SATIRE WITH HIS UNIQUE BRAND OF CAUSTIC HORROR SHORTS
HEX OF THE CENTURY • BENJAMIN CHRISTENSEN’S HÄXAN, A FILM THAT ORIGINALLY CAST ITS SPELL ONE HUNDRED YEARS AGO, STILL WORKS ITS DARK MAGIC
Shattered Silence • AS HÄXAN CELEBRATES ITS CENTENNIAL IN 2022, RUE MORGUE TRACES THE MANY ATTEMPTS OVER THE PAST 100 YEARS TO LEND SOUND TO ITS STUNNING VISUALS
Darkest Verse • POETRY MAY NOT BE THE FIRST THING THAT COMES TO MIND WHEN SOMEONE SAYS “HORROR,” BUT HORROR POETRY IS THRIVING
Monstrous Lines
ONE MAN CARNIVAL • RUE MORGUE SALUTES THE PHANTASMAGORIC LIFE AND ART OF VERNE LANGDON
CINEMACABRE • FILM + DVD + REISSUES
OVERLOOKED, FORGOTTEN AND DISMISSED • THIS ISSUE: LANCE COMES HOME
SHORT CUTS • ON THE SLAB: BLACK-AND-WHITE BITES
SHADOWS AND FOG IN THE SUNSHINE STATE • INDIE HORROR WUNDERKIND MICKEY KEATING SETS HIS SIXTH FEATURE, OFFSEASON, AMONG FLORIDA’S EERIEST ENVIRONMENTS
REISSUED & RE-ANIMATED
IT CAME FROM BOWEN’S BASEMENT • DRIVE-INS, DELETE BINS AND OTHER SINS
FILES FROM THE BLACK MUSEUM • THE LONG SHADOWS OF CLASSIC HORROR’S PAST
BLOOD IN FOUR COLOURS
QUICK CUTS
THE NINTH CIRCLE BOOKS
DANTE’S PICK
THE EVIL IN EVERYTHING • IN PANDEMONIUM, ED SIMON TRACES THE HISTORY OF DEMONOLOGY THROUGH MORE THAN TWO MILLENNIA OF DIABOLICAL ARTWORK
LIBRARY OF THE DAMNED • ANNE RICE AND ME
THE FRIGHT GALLERY
DEVIL’S IN THE DETAILS • A DUMPSTER DIVE INTO HORROR’S ODDS & CURIOS
AUDIO DROME
PODCASTS FROM BEYOND
A SCORE FOR A SAWYER
PLAY DEAD • NOW PLAYING > TO VR OR NOT TO VR
WHAT HORROR MOVIE HAS THE MOST MISLEADING POSTER? • THE MAIN PURPOSE OF A MOVIE POSTER HAS ALWAYS BEEN TO SEDUCE PEOPLE INTO SEEING THE FILM. BUT OCCASIONALLY PRODUCERS HAVE ABUSED THIS ART FORM TO MAKE PROMISES THAT THEIR MOVIE CANNOT DELIVER ON. WE HAD TO ASK: WHICH MOVIE POSTER IS THE MOST MISLEADING? TWO WRITERS ENTER THE RING TO BATTLE IT OUT!