The Critic is Britain's new highbrow monthly current affairs magazine for politics, art and literature. Dedicated to rigorous content, first rate writing and unafraid to ask the questions others won't.
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The failures of Boris
The Critic
Liverpool, lies and France’s shame • The Stade de France fiasco bodes ill for forthcoming international sports events
Miriam Elia on…
Letters • Write to The Critic by email at letters@thecritic.co.uk including your address and telephone number
Independence: a two-way street • Both judges and politicians must respect long-standing constitutional conventions
Woman About Town • LISA HILTON AT THE VENICE BIENNALE
THE DIARY OF DILYN THE DOG
Sir Tony embraces the old • At Windsor, Blair was inducted into the real Britain, centred on the ancient institutions and traditions he had tried to replace
More town, less gown • SAM ASHWORTH-HAYES says the cult of mass university education saddles many students with unecessary debt, breeds dissatisfaction and does little to foster culture or enterprise
The Cosa Nostra in suits
EVERYDAY LIES WITH THEODORE DALRYMPLE
FRANCE’S UNSPOKEN, UNFINISHED CIVIL WAR • James Noyes says France’s cycle of social unrest and politically polarised elections has its roots in the Algerian conflict and the ensuing unresolved struggle for the soul of the nation
There is an alternative • The Church should invest in parishes and ministry if it wants to reach a new audience
ERROR OF JUDGMENT • How the Supreme Court got an issue of great constitutional importance so wrong
Bring back blasphemy laws • TITANIA McGRATH’S WOKE WORLD
Can feminists please drop the Handmaid habit? • Victoria Smith argues that feminists’ adoption of Margaret Atwood’s red cape serves only to obscure the complex real-life issues around women’s rights
Return of the 60s neurosis • MICHAEL COLLINSsays Christopher Booker’s stinging takedown of the 1960s, The Neophiliacs, is even more relevant today
The wise gnomes of Zurich • Why is Switzerland’s rate of inflation so much lower than that of Britain and the USA?
STALIN’S LAST LAUGH • Robin Ashenden on the rehabilitation of Joseph Stalin, who has been recast in Russia not as a bloodsoaked tyrant, but as a strong, effective leader
The rise & fall of Sad White Men • Novels about middle class male malaise are now considered passé but they were once both groundbreaking and shocking
Amanda Scrimgeour Glamour hound • D.J. TAYLOR’S ARTY TYPES
Is classical colonial? • Naive and dogmatic proposals to “decolonise” Western classical music risk losing the richness of its history in a world dominated by the global pop industry
BLUEPRINT FOR A STARCHITECT • Brooklyn-born Robert A. M. Stern’s approach to designing buildings combines exuberance with historicism while eschewing monolithic modernism
Real social responsibility • Be wary of companies with public sector monkeys and a diversity officer on the board
Guardians of our culture • Conservative America still vibrantly upholds the cause of Western civilisation
Chaucer’s LONDON
STUDIO • Donatello at the Palazzo Strozzi, Florence
Manifesto for how we love now
An unfinished masterpiece
More than whippets and flat caps
Busting the myth of the Phantom Major
Birth of a four-decade nightmare
Frustrating life of a man of ideas
Rhyme of the times
A prayer for the Holocaust dead
Modern echoes of ancient history
A shapeless, moving, end in itself
Thinkers,...