International Artist takes you inside the studios of the world’s best artists. The magazine displays practicing artists describing their approach and work process in all painting mediums.
International Artist • Issue 153 October/November 2023
Great Things to Come
When Inspiration Strikes
FAVORITE SUBJECTS • All the Prize Winners in our International Artist Magazine Challenge No. 137
Daniela Werneck • Texas, USA, Talking to a Humminbird, watercolor on aquabord, 20 x 16" (50 x 40 cm)
Francois Chartier • Quebec, Canada, Serenity, oil on canvas, 48 x 60" (121 x 152 cm)
Debra Keirce • Virginia, USA, Time to Gather, oil, 12 x 12" (30 x 30 cm)
Russell Harris • Illinois, USA, Charlie’s World, oil on linen on panel, 10 x 8" (25 x 20 cm)
Dennis Whalen • New South Wales, Australia, Porcelain and Fruit VI, oil on linen, 24½ x 43½" (62 x 110 cm)
Deborah Brees • Illinois, USA, Gold in the Morning Sun, oil on canvas, 16 x 12" (40 x 30 cm)
Toby Davis • Idaho, USA, Dreams of Paris, oil, 36 x 36" (91 x 91 cm)
CALL FOR ENTRIES • HOW TO ENTER OUR ART COMPETITIONS
CALL FOR ENTRIES • ART PRIZE CHALLENGE SERIES
People & Figures
INTERNATIONAL ARTIST CHIEF JUDGE
OFFICIAL ENTRY FORM • THREE INTERNATIONAL ENTRY POINTS
Sources of Inspiration • Artist and SAS instructor Julee Hutchison creates painterly landscapes that evoke excitement and curiosity
HOW TO WRITE A PRESS RELEASE • An important part of an artist’s promotional tool kit, whether promoting a workshop or an exhibition
PAINTING IN PUBLIC • James Gurney discusses how to overcome shyness and deal with curious spectators
Mentoring • The Portrait Society of America Chairman’s Letter
Perseverance and Aspirations • A Conversation with Paul Newton
Master Showcase
The Art of Purposeful Painting • Capturing Intensity in Portraits
THE COMPOSITION OF PAINT • In this three-part series, Todd M. Casey provides a deeper understanding of the properties of pigments in oil painting
Got Your BACK • After 25 years in business, Raymar Art Panels continues to provide unwavering support to artists—figuratively and literally
Unbridled Control • Matt Talbert describes his process for creating expressive, paintings of the human figure—a balance of intuition and technical skill
My Art in the Making Waiting for a Sign
Modes of Perception • Alex Kelly interprets the visual relationships between subjects in his artwork, using it as a springboard for creative expression
My Art in the Making Sometimes you have to leave something behind to go forward
Deeply Connected • Using loose and refined strokes, Melissa Breault creates a sense of harmony between subject and environment
My Art in the Making October Light
Architectural Landmarks • Constructing roofscapes and urban scenes, Richard Rees demonstrates how to get the most out of oil pastels
My Art in the Making Mesquita, Cordoba, Spain
Sleek & Luminous • Colored pencil artist Megan Seiter creates crisp, detailed still lifes of florals and other organic subjects
My Art in the Making Limones
In the Woods • Working with the unpredictable medium of watercolor, Bob Hamilton-Pennell captures the moods and mysteries of nature
My Art in the Making Morning Hike, Cape Perpetua
Seeing Red • John Lovett demonstrates the power of working with a limited palette
Flow of Energy • Luisa Holden creates abstract landscapes by building up layers of paint and experimental brushstrokes
My Art in the Making Dusky Moor
Floating through nature
Room for variety
The Beauty of a...