International Artist takes you inside the studios of the world’s best artists. The magazine displays practicing artists describing their approach and work process in all painting mediums.
International Artist • Issue 155 February/March 2024
Join a Society in 2024
The Next Level
PEOPLE & FIGURES • All the Prize Winners in our International Artist Magazine Challenge No. 139
Dan Simoneau • Wisconsin, USA, In the Eye of the Storm, acrylic on canvas, 40 x 30" (101 x 76 cm)
Aapo Pukk • Harju, Estonia, Mr Tõnis Pohla with His Father and Sons, oil on canvas, 53 x 45" (135 x 115 cm)
Talent Mudarikwa • Harare, Zimbabwe, Solitude, charcoal pencil on paper, 34 x 23" (87 x 60 cm)
Liuqing Ruth Yang • West Virginia, USA, Cydney with a Chinese Traditional Garment Han Fu, oil on linen canvas, 16 x 14" (40 x 35 cm)
Diana Tremaine • Montana, USA, Connectivity, oil on canvas, 60 x 60" (152 x 152 cm)
Len Swec • Connecticut, USA, Bottega del Vino, acrylic on gessoed panel, 16 x 20" (40 x 50 cm)
Ann Rudd • North Carolina, USA, White Skirt, oil, 10 x 8" (25 x 20 cm)
CALL FOR ENTRIES • HOW TO ENTER OUR ART COMPETITIONS
CALL FOR ENTRIES • ART PRIZE CHALLENGE SERIES
Landscapes
INTERNATIONAL ARTIST CHIEF JUDGE
OFFICIAL ENTRY FORM • THREE INTERNATIONAL ENTRY POINTS
HONING YOUR VOICE • Joseph Lorusso discusses exploring different mediums, navigating the business side of art and staying true to your passions
SELLING YOUR ART ONLINE • A breakdown of online marketplaces and art sale platforms
Chairman’s Letter Lifting Each Other Up • The Portrait Society of America
THE ART OF THE PORTRAIT
Words of Wisdom from the 2024 Art of the Portrait Faculty Artists
Master Showcase
Save Our Souls • Step by Step
COLOSSAL CHARACTERS • Blending observation and imagination, James Gurney visualizes gigantic cartoon characters in a plein air setting
Stay Connected… WITH FINE ART
ARTIST GROUPS & SOCIETIES
MISSING AN ISSUE?
MINERAL VS. MODERN PIGMENTS • In this three-part series, Todd M. Casey provides a deeper understanding of the properties of pigments in oil painting
Reimagining Reality • Joseph McGurl takes what he’s learned from plein air studies and transforms them into something new
My Art in the Making Grace’s Barn
Where Life Happens • Working with just a palette knife, Emilie Fantuz paints moments of modern life
My Art in the Making Lucy’s Diner
Household objects
Dreamy Ambiance • A limited palette and open composition allow Marwa Khidir to maintain flexibility in her artwork
My Art in the Making Dragonflies At Night
Shadow and Light • Diana Höhlig implements crosshatching, stippling and parallel scratching to achieve texture and contrast
My Art in the Making Oblique Attitude
Plant Studies • Watercolorist Dianne Sutherland uses dry brushwork to create depth and detail in her botanical art
My Art in the Making Autumn Rumex Leaf
Unorthodox Approach • Ric Dentinger tackles his watercolor paintings by working from dark to light
My Art in the Making Chama 484
Medieval Textures • John Lovett demonstrates his process of painting a group of ancient buildings in the South of France
Emphasizing Details • Working with pencils of moderate softness, Solomiia Boiko blends layers of color in varying degrees of pressure
My Art in the Making Iguana
Whimsical scenes
Painting Reflections on the Beach • In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
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